
Oil on 1/4" Gessoboard. Approx 4"x8" SOLD
I was in the mood for something colorful yet simple.

Oil on 1/8" Gessoboard. Approx 6"x6" SOLD
From sunny sunsets to rainy rainbows. This was my view from my driveway. My main goal was to capture the density in the air, the humidity, and the misty rain coming down. Don't forget...you can't have a rainbow without the rain. Another note - I painted this whole painting with a #10 flat brush. It was huge and that made the painting go quick..and I don't feel I sacrificed any detail either. It's one of my favs right now.

Oil on 1/8" Gessoboard. Approx 6"x6" SOLD
This is a photo I took when I was visiting my friends in LA over Memorial Day. They took me to Santa Monica beach which is a place I will never forget for a number of reasons. On our way back to the car the sun was setting and you could see the slight haze over the mountains. Incredible view.

This painting kind of had a slow start to it. It wasn't until the last half hour or so when the intensity and drama really came out. At that point it was like "achieving flow". Runners talk about that sort of thing (at least I did when I was a runner). When you're on a long run, at 8 or 9 miles of an 18 miler you just hit a groove where the rest of the miles just flow right by. Now that I am reminiscing about those day I really miss it. Any other runners out there reading this?

This is a scene from LA when I was there over Memorial Day weekend. I was driving in my friend's car and saw this bug on the side of the road. I wiped out my camera and took this photo. He probably thought I it was strange since it wasn't a major landmark or a tourist attraction. Oh well, I like how this painting turned out.

The whole time I was painting this I kept thinking about an artist's blog that I always visit. Jeremy Geddes. He paints cosmonauts and these reminded me of the helmets. Check this guy out. His work is deliciously morbid and super realistic. I love it.

Oil on 1/8" Gessoboard. Approx 6"x6" SOLD
This setup seemed to defy the norm when it comes to light and shadow. The tomato didn't really have a shadow area. Instead that area was close to the local color and light/midtones were lightened to accommodate. I hope that makes sense. Just know that it was weird but interesting to view.

Oil on 1/8" Gessoboard. Approx 6"x6" SOLD
If you were following my auctions you may have noticed that ebay removed ALL of my paintings. They accused me of breaking rules and regs but I simply didn't. It's too late now, they took the auctions down. All the bids and watchers..gone. On top of that, they suspended my account from auction style listings for the next 2 weeks so I can only do fixed price listings until then. SO I relisted my current paintings as fixed price listings so now the first bid wins. I apologize for all the inconvenience and hope that the interested parties return. Thanks!

Oil on 3/8" Canvas Board. Approx 9"x12" SOLD
This painting took two days. It just so happens that those two days were about a month apart. It's something I couldn't drag myself back to to complete. Finally yesterday, I dug my heels in a finished it. I really like the result. Typically my paintings are done in one sitting so there is essentially one layer. Having two layers on this one helped judge the values and color to be more accurate and attractive...at least to me. Sorry for the glare on the photo, I have trouble shooting anything bigger then 6x6. I need someone to come teach me how to photograph.

Oil on Board. Approx 8"x8" SOLD
I missed the challenge from last month but I am back on track this month. The challenge was to paint something shiny from your kitchen...right up my alley. I revisited these two items from my arsenal. Next month is my turn to choose the challenge and the gears are turning.

Oil on 1/8" Gessoboard. Approx 6"x6" SOLD
I have a large pear painting in progress so wanted to use this one as a little study of the color and value variety of the pear. I watched a short you tube video from Richard Schmid and he said "It's better to have put a color in then to not have put it in at all". I think that is because once it's in you can adjust it, but without it there is no basis to start from. Those words stuck with me and this painting has more color variation then my usuals...which I like.

Oil on 3/8" Canvas Board. Approx 8"x8" SOLD
It didn't dawn on me to paint the left over chinese food box until I opened my fridge a couple days later. It was like a light from above shining down. I was instantly inspired. I felt compelled to use a larger board for this one. It is a 3/8" thick board that has a groove for a hanger already cut in the back so framing is optional.

Oil on 3/8" Board. Approx 8"x8" SOLD
Here is the second painting that was a gift for another friend in L.A. a week and a half ago. I was nervous going into this painting. I knew it was no simple task. The hot dog was going to be a challenge but the paper was going to make or break the whole piece. I think this is my all-time favorite painting. It's something different from my usual work and, for me, was a complete success.

Oil on 1/8" Gessoboard. Approx 6"x6"
For purchase info, please email michael@mnaples.com
Simple, right? I know. My goal here was to bring as much interest to this as possible in the painting process. I let more brush strokes drag accross the surface and embellished the reflected lights on both sides of the apple. I am pleased with the end result.

Oil on 3/8" Board. Approx 8"x8" SOLD
I painted this as a gift for a friend I visited in L.A. this past holiday weekend. It was a rockin' time. A lot of laughing and people watching. I saw all of the sites that I have only seen on TV before. My wife actually got me the trip. She planned it all ahead of time for my 30th birthday which was earlier this month. That's why I say she's the best.

Oil on 1/4" Board. Approx 6"x6"
For purchase info email susan.brownlow@artunderamonkey.co.uk.
If you live in the UK you may know this candy. It's called Dolly Mix and from what I hear, it's great (i have to admit I didn't eat any of the candy). It's the last of five requests for an online gallery that is in startup mode right now. If you are interested in purchasing, you may do so direct from the site's creator, Susan.

Oil on 1/4" Board. Approx 8"x10" SOLD
My wife's Dad worked as a switchman for the railroad for about 45 years. These are keys from there. If I'm not mistaken, the small one is the switch key and the long one is a caboose key.
I haven't posted much lately but that does not mean I haven't been painting. I have two more paintings to post but have to wait to post them. I also have another 20x20 painting in the works. I'm trying to expand my portfolio of 'large' work.

Oil on 1/8" Gessoboard. Approx 6"x6" SOLD
I have been super busy lately. Yesterday was my daughter's first birthday party. We had about 60 people at our house. It was insanity, but overall a great party. All that and Lucy won't even remember it. I can't believe she is coming up on being one. Time is really flying by. Oh and Happy Mother's Day!!!
Oil on 1/8" Gessoboard. Approx 6"x6" SOLD
Not much to say about these apples besides they looked good in the sun. Good enough to eat.
Oil on 1/8" Gessoboard. Approx 6"x6"
For purchase info, please email michael@mnaples.com
Sometimes you have to go back to the basics. I wanted to do a value study with general light tones while still keep form and dimension to the object.
Oil on 1/8" Gessoboard. Approx 6"x6" SOLD
This orange feels solid and strong. That's why i like it. I focused a lot on edges in this painting - mainly trying to keep them soft.
Graphite on Bristol Board. Approx 8"x11" SOLD
Here's the second portrait. The last for a while. I may take a break from the mountain scapes for some still lifes. Stay tuned for those.
Oil on 1/8" Gessoboard. Approx 6"x6"
For purchase info, please email michael@mnaples.com
As we drove through and up the mountains we were pondering the fact that humans may have never stopped foot on the mountains tops we were looking at. That's a deep thought.
Oil on 1/8" Gessoboard. Approx 6"x6" SOLD
I wanted to focus on the background more on this painting. Really trying to capture the atmosphere in those mountains.